The essays during this e-book examine the complicated and sometimes contradictory relationships among aesthetics and modernity from the past due Enlightenment within the 1790s to the Frankfurt institution within the Nineteen Sixties and have interaction with the vintage German culture of socio-cultural and aesthetic thought that extends from Friedrich Schiller to Theodor W. Adorno. whereas modern discussions in aesthetics are usually ruled by way of summary philosophical methods, this e-book embeds aesthetic conception in broader social and cultural contexts and considers quite a lot of inventive practices in literature, drama, track and visible arts. Contributions contain learn on Schiller’s writings and his paintings relating to ethical sentimentalism, Romantic aesthetics, Friedrich Schlegel, Beethoven, Huizinga and Greenberg; philosophers resembling Kierkegaard, Benjamin, Heidegger and Adorno; and thematic techniques to Darwinism and Naturalism, smooth tragedy, postmodern realism and philosophical anthropology from the eighteenth century to the current day. This booklet is predicated on papers given at a global symposium held lower than the auspices of the college of Nottingham on the Institute of German and Romance stories, London, in September 2009.
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Additional info for Aesthetics and Modernity from Schiller to the Frankfurt School
Friedrich Schiller, Moral Sentimentalism and the Emergence of the Aesthetic 21 saw the high artistic culture, or Bildung, of his time as itself a source of mischief. Early in his career, he coined the phrase Bildungsphilister, or culture philistine, to denote a philistinism growing specifically out of high culture. Nietzsche, therefore, concentrated on the values as such and, whereas Matthew Arnold, with a residual sentimentalism, believed in the ennobling value of high art, Nietzsche saw that art per se could not enforce any such ef fect.
3 This turn to nature requires a thorough understanding of both empirical sense perception and the many and varied palpable techniques of representation in the arts and sciences. 4 Descartes had interpreted the scientific revolution of Copernicus, Kepler and Galileo in intellectualist terms, and required investigations of nature to engage in more geometrico in order to reveal the rational laws of the world. The Enlightenment abolishes this constraint. Now the res cogitans focuses not just on external nature and the rational laws that govern the res extensa, but increasingly on the inner nature and mental processes of human beings themselves.
Anna Karenina and Other Essays (London: Chatto and Windus, 1967). —— The Common Pursuit (London: Chatto and Windus, 1952). Sims, S. Beyond Aesthetics (London: Harvester, 1992). Swinden, P. Literature and the Philosophy of Intention (London: Macmillan, 1999). GUSTAV FRANK The Invisible Hand: Schiller’s Media Aesthetics of Modernity Introduction My aim in this discussion is to shed light on the modernity of Schiller’s aesthetic anxieties before they were alleviated by his classical aesthetics and then buried under two centuries of Schiller enthusiasm which have lasted to the present-day.