By Gerard Loughlin
Gerard Loughlin is likely one of the major theologians operating on the interface among faith and modern tradition. during this unheard of paintings, he makes use of cinema and the flicks it exhibits to consider the church and the visions of wish it screens. It discusses a variety of motion pictures, together with "The Alien Quartet", Christopher Nolan's "Memento", Stanley Kubrick's "2001: an area Odyssey and A Clockwork Orange", Nicolas Roeg's "The guy Who Fell to Earth" and Derek Jarman's "The Garden". It attracts on quite a lot of authors, either historical and glossy, spiritual and secular, from Plato to Levinas, from Karl Barth and Hans Urs von Balthasar to Andre Bazin and Leo Bersani. It makes use of cinema to contemplate the church as an ecclesiacinema, and flicks to contemplate sexual wish as erotic dispossession, as a manner into the lifetime of God. it's written from a substantially orthodox Christian standpoint, instantly either Catholic and critical.
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Additional info for Alien Sex: The Body and Desire in Cinema and Theology
Allen (New Haven: Yale University Press, 1991), pp. 130–4. See Levinas, Totality and Infinity, p. 254; and Time and the Other, p. 86. 19 For a discussion of ‘complementarity’ see Gareth Moore, The Body in Context: Sex and Catholicism (London: SCM Press, 1992), ch. 7. Moore shows how much theology inscribes a set of differing cultural stereotypes upon the bodies of men and women. Thus Henry Peschke tells us that the ‘male is more active and outgoing; he possesses greater courage to assail. The female is more receptive and protective; she shows greater fortitude to endure .
See Gilles Deleuze, Cinema 1: The Movement Image, translated by Hugh Tomlinson and Barbara Habberjam (London: Athlone Press,  1992), p. xiii; see also Cinema 2: The TimeImage, translated by Hugh Tomlinson and Robert Galeta (London: Athlone Press,  1989), ch. 7. 2. See Metz, The Imaginary Signifier, pp. 42–87. For critical discussion of Metz’s apparatus theory see The Cinematic Apparatus, edited by Teresa de Lauretis and Stephen Heath (New York: St Martin’s Press, 1980). 1. 4 – 6. 1.
75. 17 Levinas, Ethics and Infinity, pp. 68–9. 18 Plato, The Symposium, 189c–193c; in The Dialogues of Plato, vol. E. Allen (New Haven: Yale University Press, 1991), pp. 130–4. See Levinas, Totality and Infinity, p. 254; and Time and the Other, p. 86. 19 For a discussion of ‘complementarity’ see Gareth Moore, The Body in Context: Sex and Catholicism (London: SCM Press, 1992), ch. 7. Moore shows how much theology inscribes a set of differing cultural stereotypes upon the bodies of men and women.