By Paul Bishop
In this quantity, Paul Bishop investigates the level to which analytical psychology attracts on ideas present in German classical aesthetics. It goals to put analytical psychology within the German-speaking culture of Goethe and Schiller, with which Jung used to be good familiar.
Analytical Psychology and German Classical Aesthetics argues that analytical psychology appropriates lots of its relevant notions from German classical aesthetics, and that, whilst noticeable in its highbrow historic context, the genuine originality of analytical psychology lies in its reformulation of key tenets of German classicism. even if the significance for Jung of German idea typically, and of Goethe and Schiller specifically, has usually been stated, beforehand it hasn't ever been tested in any designated or systematic method. via an research of JungвЂ™s reception of Goethe and Schiller, Analytical Psychology and German Classical Aesthetics demonstrates the highbrow continuity inside analytical psychology and the filiation of rules from German classical aesthetics to Jungian concept. during this means it means that a rereading of analytical psychology within the mild of German classical aesthetics bargains an intellectually coherent knowing of analytical psychology.
By uncovering the philosophical assets of analytical psychology, this primary quantity returns JungвЂ™s idea to its middle highbrow culture, within the mild of which analytical psychology profits new serious impression and clean relevance for contemporary concept. Written in a scholarly but available kind, this ebook will curiosity scholars and students alike within the components of analytical psychology, comparative literature, and the background of ideas.
Read or Download Analytical Psychology and German Classical Aesthetics: Goethe, Schiller, and Jung, Volume 1: The Development of the Personality PDF
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Extra resources for Analytical Psychology and German Classical Aesthetics: Goethe, Schiller, and Jung, Volume 1: The Development of the Personality
In 1772–3 (GE 4, 378–9). 29 In the case of Jung, however, the sense of the dark side of life, the sense of ever-present and numinous menace, was even more acute than in the case of Goethe. Memories, Dreams, Reﬂections recounts a sequence of recollections and events relating to Jung’s strong intuition of ‘the night-side of nature’. Indeed, many of Jung’s earliest memories are associated, in one way or another, with violence: for example, there is his memory of the blood and water trickling down an open drain from a wash-house in which the corpse of a man drowned at the Falls had been placed (ETG, 14).
Rejuvenation, rebirth . . or Rome? In his lecture on ‘The Concept of the Collective Unconscious’, Jung places great emphasis on the motif of rebirth. In 1939, Jung gave an Eranos lecture entitled ‘Die verschiedenen Aspekte der Wiedergeburt’ (later published as Über Wiedergeburt (1950) and translated as ‘Concerning Rebirth’) (CW 9/i §199–§258), in which he counts rebirth among ‘the primordial aﬃrmations of humankind’ (CW 9/i §207). Yet the theme of rebirth had been present in Jungian psychology right from its earliest stages.
Elsewhere, Freud compared Leonardo’s notebooks from the time of the campaign against the Romagna with Goethe’s Campaign in France (1792). ) To judge by his response in their correspondence, Jung initially welcomed Freud’s treatment of Leonardo, exclaiming to Freud in his letter of 17 June 1910 that ‘Leonardo is wonderful’. Jung knew of Oskar Pﬁster’s ‘discovery’ of a vulture in the painting of the Virgin and Child with St Anne, and he told Freud that he, too, had seen one, ‘but in a diﬀerent place’.